But when he played his first gigs in Nashville 18 years ago, he knew he’d found his musical home. By the early ’90s he was the top blues act in Cincinnati. Since then he’s made a dozen more albums, culminating until now in 2009’s critically heralded Grown Ass Man and 2010’s Live From B.B. He also began his recording career there, with 1993’s Blues Transfusion. He developed his sound and stagecraft at the helm of four groups in Cincinnati - climbing the pinnacle of the city’s blues scene. “He played guitar in a strange, almost drum like style, which taught me to concentrate on the groove.” Since then, my playing’s just gotten more focused and aggressive with time.” Another serious inspiration was Cincinnati guitarist and singer Frank Hedges, a musical preacher whose sons were also in Mitchhart’s first band. “I heard Springsteen, Zeppelin and Pink Floyd, but that stuff never moved me,” he recounts. Today, Mitchhart has created his own brand of showmanship that brings audiences back again and again. Little Richard looked and acted differently than anybody he had ever been exposed to.
Stereo master cincinnati tv#
As a child he saw the outrageous Little Richard on a TV show and was captivated by his showmanship. Therefore it was natural that he gravitated to the six-string. The combo photo/audio reels were also replaced with a new cartridge system.įinally, in 1997, Tyco (which had acquired View-Master in 1989) released a new version that operated on two AA batteries, had a continuous reel of film, and stored audio on an embedded microchip.Įxplore classic toys and games that captured our attention and never let go.Stacy Mitchhart’s musical journey began in his native Cincinnati, Ohio, in a home where jazz guitar masters like Wes Montgomery and Johnny Smith were played on the stereo. In 1984, the toy was again revamped to include additional ports for a headphone jack and AC adapter – and an entirely new form factor. Improving on the audio fidelity, GAF released an improved Electronic/Lighted Stereo Talking View-Master with some new bells and whistles, including internal lighting, better acoustics, and volume control. The quality was uneven at best, often changing speeds and distorting without warning. Once a reel was inserted into the Talking View-Master, users could move from photo to photo using the toy’s scene change lever and listen to the accompanying 10 to 20-second soundbite by pressing the large Sound Bar button at the front of the toy. Each set was packaged in plastic trays and included an order form and a slip-on cover that depicted stills from the set. GAF sold 3-reel sets separately on topics ranging from classic fairy tales to cartoons and vacation destinations.
To play audio while showing images, the toy included specially constructed photo reels with clear plastic records attached to them. The Talking View-Master was powered by two C-batteries and contained other internal components, like a speaker, that made it roughly 3X the size of its audio-free counterpart. In 1984, GAF revamped the Talking View-Master to include ports for a headphone jack and AC adapter.īuoyed by the success of its View-Master, GAF released an audio-enabled variant of the 3D stereoscopic picture viewer in 1969-70.
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